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Kreativität – Schöpferkraft

 

Mais

 

Maiskolben

 


I do not think there is any thrill that can go through the human heart like that felt by the inventor as he sees some creation of the brain unfolding to success […] such emotions make a man forget food, sleep, friends, love, everything.

 

Interview with Nikola Tesla (1856-1943) Serbian
US American physicist, mechanical and electrical engineer, A Talk with Tesla, presented by the Atlanta Constitution, Cleveland Moffett (1863-1926)
US American playwright, journalist, author,
7. June 1896


 

Informationszeitalter ⇒ Konzeptuelles Zeitalter – Daniel Pink

In seinem Bestseller A Whole New Mind. Why Right-Brainers Will Rule the Future, der im März 2005 erschienen ist, schluss-
folgerte Daniel Pink, die Zukunft werde den rechtshirnig orientierten Mitmenschen gehören, und zwar sowohl im Hinblick
auf das persönliche Glücksempfinden als auch auf die globale Geschäftswelt.
Die Wirksamkeit der schöpferischen Kraft im Einzelnen als auch in Systemen bezieht sich auf sechs sinngestalterische Aus-
drucksformen, die auch für die Aufrechterhaltung der Kreativität sorgen:

            Design, Geschichte, Symphonie, Empathie, Spiel und Sinngebung.            

 

Im Konzeptuellen Zeitalter wird die linkshirnig dominierte Weltanschauung durch sechs wesentliche rechtshirnige Bega-
bungen ergänzt werden. Es kommt vorwiegend auf Kreativität, Erfindungsreichtum, Empathie und Verständnis von Zusam-
menhängen an, nicht mehr vordergründig auf Wissen und lineares Denken.

 

0. Neben dem Fluss (fließenden Inhalten//Kontent) zählt auch das Flußbett (konstanter Kontext).
1. Neben der Funktion zählt auch das Design.
2. Neben Argumenten und Fakten wirken auch Geschichten.
3. Neben der Fokussierung auf Details brauchen wir auch ganzheitliche Sichtweisen.
4. Neben der Logik bedarf es auch der Empathie.
5. Neben der Ernsthaftigkeit ist auch das Spielen wichtig.
6. Neben der Anhäufung von materiellen Gütern zählen auch Sinnfälliges und Spiritualität.

 

Vier wesentliche historische Zeitalter – Daniel Pink
Das Buch A Whole New Mind widmet sich dem ganzheitlich ausgerichteten neuen Denken und beschreibt die Aufeinanderfolge von
vier wesentlichen historischen Zeitaltern, in denen sich menschliche Kreativität jeweils mit einem anderen Impetus ausdrückte.
༺༻ZeitalterSchaffendeArt der
Dienstleistung
Schaffensort
Orientierung
1.Agrarzeitalter Bauern Naturprodukte / Nahrungsmittel Natur
Landwirtschaft
2.Industriezeitalter Fabrikarbeiter Produkte / Waren Städte – Ballungsgebiete
3.Informationszeitalter Wissensarbeiter Fakten-Ideen
Programmieren

Logisch-linear, zielorientiert
Linkshirnige dominante
Stolzkultur
4.Konzeptuelles Zeitalter Schöpferische, empathische
und einfühlsame Menschen
Systemik erfassen
Inspirierter Flow

Menschenfreundliches Dienen
Paradox-nichtlinear,
erfinderisch, herzzentriert
Rechtshirnig integrierte
Würdekultur
Literatur von Daniel Pink (*1964) US-amerikanischer Referent, Hauptredenschreiber des US-amerikanischen Vizepräsidenten
Al Gore (1995-1997), visionärer Autor
Unsere kreative Zukunft. Warum und wie wir unser Rechtshirnpotenzial entwickeln müssen, Riemann Verlag, 15. September 2008
     Englisches Original Daniel Pink, A Whole New Mind. Moving from the Information Age to the Conceptual Age, Riverhead Books/Penguin, 24. March 2005
Literatur von M. Scott Peck (1936-2005) US-amerikanischer Psychiater, Psychotherapeut, Schriftsteller
Der wunderbare Weg. Eine neue spirituelle Psychologie, Erstauflage 1978, Goldmann Verlag, Neuauflage 1. Juni 2004
Gemeinschaftsbildung. Der Weg zur authentischer Gemeinschaft, Eurotopia Verlag, 4. Auflage Oktober 2007
Reference: en.Wikipedia entry A Whole New Mind
Siehe auch:
Kulturell Kreative: Langzeit-Wertestudie (1986-1999) – Paul Ray
Reibungspunkte zwischen neuen und alten Wertegruppen
Vier Stadien der spirituellen Entwicklung – M. Scott Peck
Gemeinschaft und ► Stufenmodelle
See also:
Four essential historical ages – Daniel Pink
Creativity: Information Age ⇒ Conceptual Age ⇒ Changing expressions of creativity – Daniel Pink

 

In großen Teilen der ersten Welt [Hochzivilisation] findet eine noch nicht bekannt gewordene seismische Verschiebung statt. Von einer Wirtschaft und Gesellschaft, die auf den logischen, linearen, computerhaften Fähigkeiten des In-
formationszeitalters
fußte, bewegen wir uns in eine Wirtschaft und Gesellschaft, die sich auf erfinderische, empa-
thische, ganzheitsperspektivische Fähigkeiten
berufen wird, die anstelle der bisherigen im Konzeptuellen Zeit-
alter
auftauchen werden.
Die letzten Jahrzehnte gehörten einem Menschentyp, der eine bestimmte Art zu denken vorweist – den Computer-
programmierern, die Codes knacken, den Anwälten, die Verträge aushandeln, und den Betriebswirten, die gut mit Zahlen umgehen können.
Nun allerdings wechseln die Schlüssel des Reichs die Besitzer.
Die Zukunft wird völlig anders gestrickten Menschen mit einer ganz anderen Art zu denken gehören – den Schöpfe-
rischen und Einfühlsamen, den Musterentdeckern und Sinnfindern
. Diese Künstler, Erfinder, Designer, Ge-
schichtenerzähler
, Fürsorglichen, Trostspender und großperspektivischen Denker
werden von nun an die höchsten Belohnungen der Gesellschaft ernten und an ihren größten Freuden teilhaben.
Daniel Pink (*1964) US-ame-
rikanischer Referent, Hauptredenschreiber des US-amerikanischen Vizepräsidenten Al Gore (1995-1997), visionärer Autor, Unsere kreative Zukunft. Warum und wie wir unser Rechtshirnpotenzial entwickeln müssen, Riemann Verlag, 15. September 2008

Männliches linkes Gehirn ⇔ Weibliches rechtes Gehirn

       Linke Gehirnhälfte            Rechte Gehirnhälfte       
Rechte Körperseite Linke Körperseite
Mathematik Kreativität
Verbale Äußerungen Künstlerische Anlagen
Logik Visuelle Wahrnehmungen
Fakten Intuition
Deduktionen Ideen
Analysen Vorstellungsvermögen
Praktisches Holistisches Denken
Ordnung Schöpferische Unordnung
Liedtexte Liedmelodien
Geradliniges Wahrnehmung des "Großen Ganzen"
Denken Räumliche Wahrnehmung
Detailwahrnehmung Gleichzeitige Bearbeitung mehrerer Vorgänge
Quellen:
Allan und Barbara Pease, australisches Erfolgsautorenpaar, Warum Männer nicht zuhören und
     Frauen schlecht einparken. Ganz natürliche Erklärungen für eigentlich unerklärliche Schwächen
,
     S. 87, Ullstein Verlag, Juli 2000, 15. Auflage 2002
► Hausarbeit Biologie, Laura Zimmermann JGS12, Geschlechtsspezifische Gehirnleistungen,
     Scheffel-Gymnasium Lahr, 2004
Siehe auch:Maskulines linkes Gehirn ⇔ feminines rechtes Gehirn

Verblüffende Synektik-Methode

Hesiod
Hesiod und die Muse
Gustave Moreau (1826-1898) französischer Maler

Auf der Grundlage intensiver Studien über Denk- und Problemlösungsprozesse entwickelte der amerikanische Erfinder und Psychologe William J. J. Gordon (1919-2003) 1944 die Synektik-Methode. Synektik ist eine wenig bekannte Kreativitätsmethode, welche die unbewussten Denkprozesse nutzt und zu-
sammenfügt. Der Name der Methode leitet sich von dem griechischen Wort synechein (Dinge miteinander in Verbindung bringen; verknüpfen) ab. Gordon wandte das paradoxe Prinzip an:
Entfremde das Vertraute und mache dir das Fremde vertraut.

 

Phasenverlauf des Schöpfungsvorgangs aus synektischer Sicht
༺༻Schritte zur Lösung/SchöpfungStichwort
1.Problemanalyse und Definition 
2.Spontane Lösungen 
3.Neuformulierung des Problems 
4.Bildung direkter Analogien Entsprechend der organischen Natur
5.Persönliche Analogien Identifikation
6.Symbolische Analogien Widersprüche
7.Direkte Analogien Entsprechend der mechanischen Technik
8.Analyse der direkten Analogien 
9.Übertragung auf das Problem 
10.Entwickeln von Lösungsansätzen 

 

See also: ► Intuition

Kreative Persönlichkeiten

Prinzipien der Schöpferischen – Leonardo da Vinci

Leonardo da Vinci (1452-1519) war ein unehelich geborenes Kind im mittelalterlichen Italien. Das beidhirnig engagierte Universalgenie war Maler, Musikkomponist, Bildhauer, Architekt, Anatom, Mechaniker, Ingenieur, Schriftsteller, Erfinder und Naturphilosoph. Er war ein homosexueller Synästhet und Vegetarier. Er schrieb
zweisprachig, war ein beidhändig begabter Linkshänder, der zudem die Spiegel- und Hakenschrift beherrschte.
Sieben wesentliche Prinzipien der Kreativität nach Leonardo Da Vinci
༺༻KreativitätsprinzipAktionHaltung
1.Curiosita Zeige Inter-esse an deiner Umwelt.Strebe nach Wahrheit.
2.Dimostrazione Betrachte und erwäge jedes Ding aus drei Perspektiven.Übernimm' Verantwortung.
3.Sensazione Schärfe deine Sinne für eine tiefere, feinere Wahrnehmung.Übe dich in Gewahrsein.
4.Sfumato Umarme das Unbekannte, nimm' dich des Feinsstofflichen an.Berücksichtige den Schatten.
5.Arte/Scienza Denke kreativ und imaginativ in 1000 Bildern.
Kritisches Denken ⇔ kreatives Denken
Logik ⇔ Imagination
Das große Bild erfassen ⇔ Detailverliebtheit
Übe dich in Mindmapping.
6.Corporalita Integriere Körper, Gefühle, Verstand und Geist.
Vorbild: der petruvische Mensch
Gleiche die theoretischen, indirekten und die praktischen, direkten Aspekte aus. Balanciere die maskulinen und weiblichen Eigenschaften.
7.Connessione Bedenke, dass alles ist mit allem verbunden ist.Übe dich in Liebe.
Quelle: ► Michael J. Gelb (*1952) US-amerikanischer Genie-Forscher, Kreativdenker, innovativer Führungsspezialist, Lerntheoretiker, Autor, Das Leonardo-Prinzip. Die sieben Schritten zum Erfolg, Econ, Taschenbuchauflage 1998, 2. Auflage 2001
See also: ► Principles of a creative field – Leonardo da Vinci

Prinzipien der Schöpferischen – Thomas Alva Edison

Das Leitsatz des US-amerikanischen Erfindergenies und Geschäftsmanns Thomas Alva Edison war:

Entlocke der Natur ihre Geheimnisse und nutze sie zur Vermehrung des Glücks der Menschen.
Bring out the secrets of nature and apply them for the happiness of men.

 

Edison erfand nicht nur die Glühlampe, sondern hatte eine Vision, die ganze Welt zu erhellen. Aus seiner Erfindung des Grammofons ging die moderne Musikaufnahmeindustrie hervor. Er wendete ein systematisches Innovations-System mit
fünf wesentlichen Prinzipien an:

 

Fünf erforderliche Fähigkeiten einer lösungsorientierten Grundhaltung
 ༺༻Fähigkeit/UmsetzungKreative GrundhaltungCreative attitude
1.Verbinde deine Ziele mit deinen Leidenschaften. Lösungsorientierte Grundhaltung Solution centered mindset
2.Entwickle einen charismatischen Optimismus.
Gesamtspektrum: Energiemanagement / Selbstdisziplin
Kaleidoskopisches Denken Ideoeuphoria / Muster erkennen / Ideen-Notizbuch führenCaleidoskopic thinking
3.Erwirb' unablässig Wissen. Einsatz auf ganzer LinieFull spectrum engagement
4.Experimentiere beständig. Hochwertige balancierte WerkschöpfungFind balance / harmony between intensity and relaxation, seriousness and playfulness, sharing and protecting, complexity and simplicity, solitude and team.
5.Wahre eine rigorose Objektivität. Zusammenarbeit mit einem brillanten führenden KopfMastermind collaboration

 

Fünf benötigte Fähigkeiten für die
Zusammenarbeit mit führenden brillanten Denkern
༺༻Beschreibung  DeutschBeschreibung  Englisch
1. Auswahl von Mitarbeitern nach "Chemie" [Teamfähigkeit] und Ergebnisaussichten entsprechend der vorliegenden Vision. Recruit for chemistry and results (not resumee).
2. Entwirf' multidisziplinäre Mitarbeiterteams mit unterschiedlichem Hintergrund. Design multidisciplinary collaboration teams (from very different backgrounds).
3. Inspiriere ein Arbeitsklima für offenen Gedankenaustausch. Inspire an environment of open exchange. Allow the democracy of ideas.
4. Belohne Zusammenarbeit. Reward collaboration.
5. Sei ein meisterhafter Vernetzer (Marktstratege). Be a master networker.
Source: ► Audiointerview mit Michael J. Gelb michaelgelb.com (*1952) US-amerikanischer Genie-Forscher, Kreativdenker,
innovativer Führungsspezialist, Lerntheoretiker, Autor, Das Leonardo-Prinzip. Die sieben Schritten zum Erfolg,
Econ Taschenbuch, 1998, 2. Auflage 2001

 

The kind of people I look for to fill top management spots are the eager beavers, the mavericks. These are the guys who try to do more than they're expected to do – they always reach. Lee Iacocca (1924-2019) Italian-born US American CEO of the Ford Motor Company, businessman who revived the Chrysler Corporation in the 1980s

Drei Gehirnfunktionen gespiegelt in dreierlei Personentypen

Komponenten des aufsteigenden retikulären Aktivierungssystems im Gehirn
༺༻Person·♦·TypusBeschreibung der FunktionHindu·Gottheit
Dreieinigkeit
Vegetative
Jahreszeit
Zustand
1.Schöpfer· CreatorStörender Erfinder, "Spinner",
Erzeuger von neuen Mustern
Shakti
Aktiv-kreativ
Frühling Instabilität
2.Besitzer OwnerBewahrender Wissenseigner,
tragender Könner, Experte
Vishnu
Inaktiv-erhaltend
Sommer Stabilität
3.Makler BrokerStörender Netzwerker, Vermittler von
Wissen/Können von Wissensträgern
Shiva
Zerstörend
Herbst Instabilität
Referenz: de.Wikipedia-Eintrag Aufsteigendes retikuläres Aktivierungssystem (ARAS)

 

Gehirnfunktionen: 1. Erregung ♦ 2. Bewertung ♦ 3. Lösungsbildung
༺༻ProzessKombination·von·TypenKombination von InputEffektHirnareal
1.LösungsfindungSchöpfer ∞ Besitzer Stabiles Wissen Instabiler ErfindergeistIdeenpool
Brainstorming
Neocortex
2.BewertungBesitzer ∞ Makler Stabiles Können Instabile VermittlungRealitäts-
einschätzung
Limbisches System
3.ErregungMakler ∞ Schöpfer Instabile·Vermittlung·∞· Instabiler·ErfindergeistBewegung 
Quelle:
► YouTube Videointerview mit Prof. Dr. Peter Kruse (1955-2015) deutscher Honorarprofessor für Allgemeine und Organisations-psychologie,
     Universität Bremen, Psychologe, Netzwerkforscher zur Komplexitätsverarbeitung in intelligenten Netzwerken und kohärenter Musterbildung,
     Geschäftsführer von Nextpractice, Unternehmensberater, Über Kreativitíät, Minute 5:50, 7:34 Minuten Dauer, eingestellt 1. Mai 2007
Alternative Quelle: Professor Peter Kruse über Kreativität, 22. März 2014
Siehe auch: ► Bewegung und ► Wissen

 

Wenn man Erregung, Lösungsbildung und Bewertung zusammenbringt, hat man ein Gehirn. […] Man kann intel-
ligente Systeme bauen, deren Summenintelligenz größer ist als die Intelligenz der beteiligten Menschen. Und das ist mein großes Ziel.
Prof. Dr. Peter Kruse (1955-2015) deutscher Honorarprofessor für Allgemeine und Organisationspsychologie, Universität Bremen, Psychologe, Netzwerkforscher zur Komplexitätsverarbeitung in intelligenten Netzwerken und kohärenter Muster-
bildung, Geschäftsführer von Nextpractice, Unternehmensberater, ~Frühjahr 2007

Buckminster Fullers Gnadenerlebnis

Im Alter von 32 Jahren im Jahr 1927 war Buckminster Fuller (1895-1983)

Pudel
Königspudel

⚑ bankrott,
⚑ arbeitslos,
⚑ trostlos und verzweifelt,
⚑ zweimal aus der Uni rausgeflogen.
⚑ Er hatte einen schlechten Ruf.
⚑ Er lebte in einer Sozialunterkunft in Chicago.
⚑ Seine Tochter Alexandra war an Polio-Meningitis verstorben.
⚑ Er besaß weder Sachwerte noch Geld, um seine Frau und
    sein zweites neugeborenes Kind zu ernähren.

 

Fullers Unglückserie und die Misserfolge hatten ihn in tiefe Ver-
zweiflung gestürzt und er wurde zu einem Trinker.
In Trauer um sein verstorbenes Kind begab sich der gebrochene Mann an das Ufer des Michigansees, mit der Absicht, Selbst-
mord zu begehen – durch Ertrinken im See. Dennoch hatte er Gott ein Ultimatum gestellt. Er würde weiterleben, wenn er ein Zeichen bekäme, noch ehe er das Wasser erreicht hatte.

 

Auf dem Spazierweg entlang des Seeufers begegnete der verzweifelte Fuller einem weißen Pudel, der mit seiner Besitzerin unterwegs war. Zu seinem Erstaunen sah er von beiden die Aura. Plötzlich sprach eine Stimme in ihm:

"Du gehörst dir nicht. Du gehörst dem Universum."

 

Beeindruckt von den Zeichen, unvermittelt hellsichtig und hellhörig zu sein, beschloss er, sein weiteres Leben als Experiment zu leben, um festzustellen, was ein Einzelner "im Namen der Menschheit" beitragen könne, die Welt zum Nutzen der Menschheit zu verändern. Während seines nachfolgenden Lebensexperiments entdeckte er die "Nachhaltigkeit".

 

"Du musst dich entscheiden, ob du Geld verdienen oder Sinnstifter sein willst.
Diese beiden Lebensentwürfe schließen sich gegenseitig aus."
  Buckminster Fuller, 1983

 

Quelle: ► R. Buckminster Fuller (1895-1983) US-amerikanischer Systemtheoretiker, Architekt, Ingenieur, Konstrukteur, Designer,
Erfinder, Futurologe, Philosoph, Autor, Bedienungsanleitung für das Raumschiff Erde und andere Schriften (1969)
Rowohlt, Reinbek, 1973, Philo Fine Arts, 3. Auflage 10. April 2010
See also: ► Buckminster Fuller's expericence of grace

Zitate zum Thema Kreativität / Creativity

Zitate allgemein

Empfehlungen

 

Spring
"Der Frühling"
Franz Xaver Winterhalter (1805-1873) deutscher Maler

 

  • Wenn ihr euch gering einschätzt, könnt ihr sagen:
    ›Ich bin ein körperlicher Organismus, und ich lebe innerhalb der Begrenzungen, die durch Raum und Zeit über mich verhängt sind.
    Ich bin der Willkür meiner Umwelt ausgeliefert.‹
    Wenn ihr euch hoch einschätzt, könnt ihr sagen:
    ›Ich bin ein Individuum. Ich gestalte meine körperlich-materielle Umgebung. Ich verändere meine Lebensbedingungen und schaffe mir meine Welt. Ich bin frei von Raum und Zeit. Ich bin ein Teil von all dem, was ist. Alles in mir nimmt an der kreativen Gestaltung der Welt teil.‹
    Jane Roberts (1929-1984) US-amerikanisches Medium des Geistwesens Seth, Autorin, Gespräche mit Seth. Von der ewigen Gültigkeit der Seele, Band 2, Goldmann Verlag, 1986, 1. November 2001

 

  • Optimismus ist Pflicht. Man muss sich auf die Dinge konzentrieren, die gemacht werden sollen und für die man ver-
    antwortlich ist. Karl Popper (1902-1994) österreichisch-britischer Philosoph, Erkenntnis- und Wissenschaftstheoretiker, Begrün-
    der des kritischen Rationalismus, zitiert in: Gute Zitate

 

Schlussfolgerungen

 

 

Blume
Blumengebinde
  • Wohl-Sein bedeutet, [...] schöpferisch zu sein, das heißt, als der wirkliche, ganze Mensch, der ich bin, auf mich, auf andere, auf alles Existierende, so wie er oder es wirklich ist, zu reagieren und einzugehen [...] und sie gleichzeitig als meine Welt zu sehen [...].
    Erich Fromm (1900-1980) deutsch-amerikanischer Sozialpsy-
    chologe, Psychoanalytiker, humanistischer Philosoph, Autor, Zen Buddhismus und Psychoanalyse, GA VI, S. 139, 1960a, Suhrkamp Verlag, Frankfurt am Main, 23. Auflage 2. Januar 1972

 

  • Du bist der Schöpfer deiner selbst durch die Gedanken, die du wählst und heraufbeschwörst. Dieser Geist ist der große Weber des inneren Gewandes des Charakters und des äußeren Gewandes der Umstände. Und so, wie du bisher unwissend und voller Leid daran gewoben hast, kannst du jetzt glücklich und erleuchtet daran weben.
    James Allen jamesallen (1864-1912) britischer Genius, Dichter, philosophischer Selbsthilfe-Buchautor zu Themen der Persön-
    lichkeitsentwicklung und Motivation, As a Man Thinketh [Wie ein Mensch denkt], 1903

 

(↓)

Erfinderidealismus ausgebremst durch Managerrealismus

  • Nur zu oft ist der Erfinder der faustische Idealist, der die Welt verbessern möchte, aber an den harten Realitäten scheitert. Will er seine Ideen durchsetzen, muss er sich mit Mächten einlassen, deren Realitätssinn schärfer und ausgeprägter ist. In der heutigen Zeit sind solche Mächte, ohne dass ich damit ein Werturteil aussprechen möchte, vornehmlich Militärs und Manager. […] Nach meiner Erfahrung sind die Chancen des Einzelnen, sich gegen solches Paktieren zu wehren, gering. Konrad Zuse (1910-1995) deutscher Bauingenieur, Erfinder und Unter-
    nehmer (Zuse KG), zitiert in: Artikel Rassenforschung am Rechner, präsentiert von dem deutschen Nachrichtenmagazin Der Spiegel, S. 118f., Ausgabe 24, 14. Juni 2010

 

(↓)

Von Konkurrenz/Objekt zu Zusammenwirken/Subjekt

Wettbewerb bestimmt unser Handeln. Ohne Konkurrenz, glauben wir, entwickeln wir uns nicht weiter. Hirnforscher Gerald Hüther hält das für einen Denkfehler. Eine neue Kultur des Zusammenlebens und setzt auf "Potenzialentfaltungsgemeinschaften".

  • Wir müssten aufhören, andere als Objekte unserer eigenen Ziele und Maßnahmen zu benutzen, und einander stattdessen als Subjekte begegnen. Dann findet wirklicher Austausch statt, dann entsteht das, was wir Kokreativität nennen. Interview mit Prof. DDr. Gerald Hüther gerald-huether.de (*1951) deutscher Neurobiologe, Professor für neurobiologische Grundlagenforschung, Universität Göttingen, wissenschaft-
    licher und populärwissenschaftlicher Referent, Autor, Die Einzelkämpferphaseist vorbei., präsentiert von der deutschen Monatsfachzeitschrift Psychologie Heute, Juni 2015

 

  • Kreativen Menschen werden folgende Persönlichkeitsmerkmale zugeschrieben:
    Energie- oder Aktivitätspotenzial,
    ⚑ Neugier, Konflikt- und Frustrationstoleranz,
    ⚑ Unabhängigkeit, Nonkonformismus, Problemsensitivität,
    ⚑ Flexibilität, Eigenständigkeit,
    Denken sucht in vielen Richtungen nach Ansätzen,
    ⚑ Bereitschaft zur Umgestaltung von Wahrnehmungs- und Denkinhalten in Richtung auf neue Ordnungssysteme.
Brockhaus Enzyklopädie, S. 476, 1996

 

  • Die Neugier ist die mächtigste Antriebskraft im Universum, weil sie die beiden größten Bremskräfte im Universum überwinden kann: die Vernunft und die Angst." Walter Moers (*1957) deutscher Comiczeichner, Autor, Die Stadt der Träumenden Bücher, S. 325, Piper Verlag, München, 2006

 

  • Diese materialistische Weltanschauung hat sich aus dem Studium der anorganischen Welt, der Welt der Nicht-Le-
    bewesen, entwickelt. Darum kann die materialistisch orientierte Wissenschaft nur mit den Kräften arbeiten, die nicht
    lebendig sind, das heißt Kräfte des Todes und des Verfalls. Diese Sichtweise bestimmt praktisch all diese neuen
    Technologien. Wenn wir also nicht wachsam genug sind, werden diese Technologien todbringende technologi-
    sche Hilfsmittel
    hervorbringen.
    Nanotechnologie mechanisiert den Körper.
    Biotechnik mechanisiert das Leben.
    Informationstechnik mechanisiert das Bewusstsein.
    ➤ Und Kognitionstechnik und Künstliche Intelligenz mechanisieren unsere Denkprozesse.
    Es gibt nur einen Bereich, den alle diese Technologien nicht mechanisieren können. Das ist die Kreativität des menschlichen Geistes in uns. So zwingt die technologische Einseitigkeit die Menschheit dazu, zu einer weiter entwickelten Spezies zu werden, die intelligenter und vor allem weiser sein wird, als tausend miteinander vernetzte Supercomputer. Interview mit Nicanor Perlas (*1950) visionärer phillipinischer Aktivist, Träger des Alternativen Nobelpreises, 2003, Mitgründer des Zentrums für alternative Entwicklungsinitiativen (*2004), Autor, Mensch & Maschine: Big Data und die Zukunft unserer Menschlichkeit, präsentiert von dem deutschen Magazin evolve, S. 48, Ausgabe 15, Juli 2017

 

Nachtisch
Tiramisu
  • Wer zu spät an die Kosten denkt, ruiniert sein Unterneh-
    men, wer zu früh an die Kosten denkt, tötet die Kreativität!
    Philipp Rosenthal (1855-1937) deutscher Industrieller, Designer, zitiert in: Rosenthal, Philip, präsentiert von der Webseite zitate.de

 

  • Ein Zehntel wird bewusst, neun Zehntel wirken unbewusst. Lawrence S. Kubie, M.D. (1896-1973) US-amerikanischer Psychoanalytiker, Neurotische Deformationen des schöpferischen Prozesses, Rowohlt, Nr. 244, bes. S. 32, 1966

 

  • Wir müssen aktiv werden und das schöpferische Po-
    tential bewusst lenken
    , das der Kosmos ständig für uns bereithält. Wenn wir nichts unternehmen und in Neutralität verharren, dann tritt unweigerlich das vom Guten Abge-
    kehrte auf den Plan. So sind nämlich Passivität und Neutralität treue Diener des Schlechten. Christian Bernard (*1951) Weltpräsident der Rosenkreuzerorganisation von AMORC (2009-2018), zitiert in: Artikel Polarität und Dualität, PDF, präsentiert von der Zeitschrift Welt der Spiritualität, Dr. rer. nat. Alexander Crocoll (*1966), S. 57, Ausgabe 01, 2020

 

  • Inspiration ist die Grundsubstanz der Kreativität. Daniel Biester, Schweizer-deutscher Missionar tätig in der Stadt Riberalta, Amazonien, Bolivien, Quelle unbekannt

 

  • Die Abwesenheit von Konflikten allein ist nicht genug. Authentische Freundschaft – in der wir kreative Partner sind und das Leben, Gott und den GEIST lieben – erfordert Menschen, die mit Konflikten so kreativ wie möglich um-
    gehen. Dabei geht es nicht immer nur friedlich zu, aber es wird ekstatisch sein. Es erfordert Autonomie, eine hoch entwickelte Fähigkeit zu Autonomie und Unabhängigkeit, mit der Bereitschaft, so kreativ wie irgend möglich mit anderen Menschen zusammenzuarbeiten, zu tanzen, zu argumentieren und zu kämpfen.
    Damit das geschehen kann, muss das Ego der beiden oder hoffentlich vielen Parteien bereits zu einem erheblichen Grad transzendiert worden sein, so dass wir zusammenkommen, und uns so kreativ wie möglich aneinander reiben können. Diese kreative Spannung wäre dann nicht durch das Ego verursacht, sondern durch das authentische Selbst, […] der Gottesimpuls selbst würde diese Reibung verursachen. Andrew Cohen (*1955) konfrontierender US-amerikanischer Guru, Musiker, Herausgeber des Magazins Was ist Erleuchtung (WIE), Quelle unbekannt

 

Referenz: de.Wikiquote-Eintrag Kreativität

Was nicht ist, dient zum Werk

 

Dreißig Speichen umgeben eine Nabe:
in ihrem Nichts besteht des Wagens Werk.
Man höhlet Ton und bildet ihn zu Töpfen:
in ihrem Nichts besteht der Töpfe Werk.
Man gräbt Türen und Fenster,
damit die Kammer werde:
in ihrem Nichts besteht der Kammer Werk.


Darum: Was ist, dient zum Besitz.
Was nicht ist, dient zum Werk.

 

Quelle: ► Tao te King, Abschnitt 11, 800-200 v. Chr.
Siehe auch: ► Arbeit und ► Kontext

General quotes

(↓)

Insights of a poem created after three weeks of spiritual crisis

Personal avowals

  • I had unconsciously confined creativeness to certain conventional areas only of human endeavor, unconsciously assuming that any painter, any poet, any composer was leading a creative life. Theorists, artists, scientists, inventors, writers could be creative. Nobody else could be. Unconsciously I had assumed that creativeness was the prerogative solely
    of certain professionals.
    But these expectations were broken up by various of my subjects.
    ⚑ For instance, one woman, uneducated, poor, a full-time housewife and mother, did none of these conventionally creative things and yet was a marvellous cook, mother, wife and homemaker. With little money, her home was some-
    how always beautiful. She was a perfect hostess. Her meals were banquets. Her taste in linens, silver, glass, crockery and furniture was impeccable. She was in all these areas original, novel, ingenious, unexpected, inventive. I just had
    to call her creative. I learned from her and others like her that a first-rate soup is more creative than a second-rate painting, and that, generally, cooking or parenthood or making a home could be creative while poetry need not be;
    it could be uncreative. […]
    ⚑ From another man I learned that constructing a business organization could be a creative activity.
    ⚑ From a young athlete, I learned that a perfect tackle could be as esthetic a product as a sonnet and could be approached with the same creative spirit. Abraham Maslow (1908-1970) US American transpersonal psychologist, happi-
    ness researcher
    , Toward a Psychology of Being, Wiley, 1st edition 1962, 3rd edition 9. November 1998

 

  • I cannot believe how much of my creativity I have used to keep life away from me rather than to participate in the
    great gift of life. Julia Cameron (*1948) US American teacher, journalist, film director, author, poet, poem Eagle or Sun, date unknown

 

  • I define creativity as the process of creating original ideas that have value.
    RSA Animate video presentation by Sir Ken Robinson (1950-2020) British professor of arts education, University of Warwick (1989-2001), international advisor on education, director of The Arts in Schools Project (1985-1989), speaker, author, Changing education paradigms, presented by TED Talks, minute 7:50, 11:40 minutes duration, recorded October 2010, posted December 2010

 

Recommendations

  • Don't even blink at your own power. You have to trust your love, what you see, what you know, and you have to trust that your insistence is going to lead to something good. That is when you come to a place of power. Then you learn how to marry your thought and emotion. […] Hang on to your anger, because you want to be able to use a little bit of that anger with the thought that you care about deeply, and when you put these two together, something happens. All emotions are useful, when you know how to use them. They are important.
    Video interview with Penny Kelly, US American engineer, kundalini awakened psychic, science translator, teacher, lecturer, spiritual consultant, naturopathic physician, author, Penny Kelly – The Future of Money & Consciousness, presented by ConnectEconomy, founder and host Anja Schuetz, Berlin, YouTube film, minute 1:24:42, 1:26:48, 10. September 2018

 

  1. Read widely.
  2. Write often.
  3. Keep going.
  4. Believe in your stories.
Garth Nix (*1963) Australian author, mostly of children's and young adult fantasy novels, cited in: 10 Quotes On Writing, presented by the website writerswrite

 

  • Always dream and shoot higher than you know you can do. Don't bother just to be better than your contemporaries or predecessors. Try to be better than yourself. An artist is a creature driven by demons. He don’t know why they choose him and he’s usually too busy to wonder why. He is completely amoral in that he will rob, borrow, beg, or steal from anybody and everybody to get the work done.
    Interview with William Faulkner (1897-1962) US American essayist, writer, Nobel Prize laureate, 1949, William Faulkner, The Art
    of Fiction No. 12
    , presented by the Paris-based quarterly English language literary magazine The Paris Review, Jean Stein,
    1956, republished as Malcolm Cowley, editor, Writers at Work. The Paris Review Interviews, First Series, 1958

 

(↓)

Response in a letter to an Italian film maker, who had complained to Herzog about how hard it is to receive government arts grants, how the audiences have been ruined by Hollywood, and how the world has lost its taste

  • Quit your complaining. It's not the world's fault that you wanted to be an artist. It's not the world's job to enjoy the films you make, and it's certainly not the world's obligation to pay for your dreams. Nobody wants to hear it. Steal a camera if you have to, but stop whining and get back to work.
    Werner Herzog (*1942) German film director, producer, opera director, actor, screenwriter, cited in: article Werner Herzog Chimes In Permission, excerpted from Elizabeth Gilbert's website, Thoughts on Writing, 2022

 

Conclusions

  • It is the function of creative people to perceive relations between thoughts, or things, or forms of expressions that
    seem utterly different, and to be able to Connect the seemingly Unconnected.
    Aphorism by William Plomer (1903-1973) South African editor, poet, novelist, cited in: Goodreads Quotable Quote

 

  • You can't teach people to write well. Writing well is something God lets you do or declines to let you do.
    Kurt Vonnegut Jr., influential US American writer of the 20th century, cited in: archived article Teaching The Unteachable, pre-
    sented by the US American daily newspaper The New York Times, 6. August 1967

 

  • We travel because we need to, because distance and difference are the secret tonic of creativity. When we
    get home, home is still the same. But something in our mind has been changed, and that changes everything.
    Article by Jonah Lehrer (*1981) US American speaker, blogger, journalist, author specialized on psychology, humanity, neuro-
    science, Why we travel, presented by the British daily newspaper The Guardian, 14. March 2010

 

Question

 

Insights

(↓)

Evaluating sense and nonsense

  • All the works of man have their origin in creative fantasy [imagination]. What right have we then to depreciate imagination? […]
    The pendulum of the mind alternates between sense and nonsense, not between right and wrong. Carl Gustav Jung (1875-1961) Swiss psychiatrist, psychoanalyst, founder of a new school of analytical depth psychology, author, Modern Man in Search of a Soul, S. 67, Trench, Trübner and Company, 1933, Harcourt Harvest, 5th edition
    4. August 1955, 6th edition 1971; cited in: Goodreads Quotable Quote

 

  • The creation of something new is not accomplished by the intellect, creative mind plays with the object it loves.
    Carl Gustav Jung (1875-1961) Swiss psychiatrist, psychoanalyst, founder of a new school of depth psychology, author, R.F.C. Hull, editor, H. G. Baynes, translator, Psychological Types – The Collected Works of C. G. Jung, Volume 6, 1921, S. 123, paragraph 197, Princeton University Press, 2nd edition 1971, 1. October 1976

 

  • Adversity reveals genius, prosperity conceals it. Horace [Quintus Horatius Flaccus] (65-8 BC) leading Roman lyric poet during emperor Augustus' reign, cited in: ideachampions.com

 

Bayern
Westpark valley scene, Munich, Bavaria, Germany

 

  • Great spirits have always encountered opposition from medi-
    ocre minds. The mediocre mind is incapable of understan-
    ding the man who refuses to bow blindly to conventional pre-
    judices and chooses instead to express his opinions coura-
    geously and honestly.
    Albert Einstein (1879-1955) German-born US American theoretical physicist, developer of the theory of general relativity, Nobel laureate in physics, 1921, cited in: Goodreads Quotable Quote

 

 

  • When a man undertakes to create something, he establishes a new heaven, as it were, and from it the work that he desires to create flows into him. [...] For such is the immensity of man that he is greater than heaven and earth. Paracelsus [Philippus von Hohenheim] (1493-1541) Swiss Renaissance physician, botanist, alchemist, astrologer, general occultist, Astronomica magna, part I, chapter 12:183, 1571, cited in: Gyorgy E. Szonyi, John Dee's Occultism. Magical Exaltation through Powerful Signs, S. 45, State University of New York Press, Albany, 1951, 2004; AZ Quotes

 

 

  • Each person, in some unique way, participates in the genius of life and the world at this time is in great need of an awakening of the genius qualities hidden in each of us. […]
    While disruptions in nature and disturbances in culture produce nightmare scenarios and even apocalyptic visions, something deeply set within the soul of humanity also responds to the rattling of the world. As Emerson once stated: 'When nature wants to solve a problem she creates a genius to do it. […]'
    All types of imagination, inspiration and originality are now required and the sense of a genius self already present in each person may release us from thinking that a singular idea, specific political movement or patented belief system
    will save us. Michael Meade Mosaicvoices.org, US American storyteller, scholar of mythology, psychology, anthropology,
    ritualist, spokesman in the men's movement, author, The Genius Myth, Mosaic Multicultural Foundation, April 2016

 

Eis
Cup of icecream, whipped cream and eggnog
  • Creativity is divine: the virgin soul opens to spirit and conceives the divine child. We cannot live without it. It is the meaning of life, this creative fire.
Marion Woodman (1928-2018) Canadian Jungian analyst, women's movement figure, mythopoetic author, Jill Mellick, co-author, Coming Home to Myself. Reflections for Nurturing a Woman's Body and Soul. Daily Reflections for a Woman's Body and Soul, Conari Press,
1. May 1998, revised 31. May 2001

 

  • The intense effort to develop artificial intelligence has in-
    creased our understanding of neural networks because at its core, AI is but an attempt to improve artificially what the brain already does effortlessly.
    Leonard Shlain, M.D. (1937-2009) US American chairman of lapa-
    roscopic surgery, associate professor of surgery, UC San Francisco, researcher, writer, Leonardo's Brain. Understanding Da Vinci's Creative Genius, Lyons Press, 1st Kindle edition 21. October 2014

 

  • Through creativity, new patterns of organisation arise; those that survive and are repeated become increasingly habitual. Some new patterns are favoured by natural selection and some are not.
    Creativity is a mystery precisely because it involves the appearance of patterns that have never existed before. Rupert Sheldrake (*1942) English biochemist, plant physiologist, researcher in parapsychology and morphic resonance, author, Science Set Free. 10 Paths to New Discovery, S. 105, Deepak Chopra, 4. September 2012

 

(↓)

See also:

Blog article On Education – Six myths and Six principles, RIP Education, undated

 

  • Creativity is just connecting things. When you ask creative people how they did something, they feel a little guilty because they didn’t really do it, they just saw something. It seemed obvious to them after a while. That’s because they were able to connect experiences they’ve had and synthesize new things. And the reason they were able to do that
    was that they’ve had more experiences or they have thought more about their experiences than other people.
    Unfortunately, that's too rare a commodity. A lot of people in our industry haven't had very diverse experiences. So
    they don't have enough dots to connect, and they end up with very linear solutions without a broad perspective on
    the problem. The broader one's understanding of the human experience, the better design we will have.
    Steve Jobs (1955-2011) US American computer business magnate, inventor, Zen practitioner, chief executive officer and co-foun-
    der of Apple and of Pixar Animation Studios, cited in: article "Title unknown, presented by the US American monthly magazine Wired, 1996

 

(↓)

It takes three to create a movement.

  • It takes two to invent anything.
    1. The one makes up combinations;
    2. the other one chooses, recognizes what he wishes and what is important to him in the mass of the things which the former has imparted to him.
What we call genius is much less the work of the first one than the readiness of the second one to grasp the value of what has been laid before him and to choose it. Paul Valéry (1871-1945) French philosopher, critic, poet, essayist, article presented by the French literary magazine Nouvelle Revue Française, unknown date; cited in: Jacques Hadamard, The Psycho-
logy of Inventing in the Mathematical Field
, S. 30, Princeton University Press, 1949

 

  • The creative element in the mind of man [...] emerges in as mysterious a fashion as those elementary particles
    which leap into momentary existence in great cyclotrons, only to vanish again like infinitesimal ghosts.
    Loren Eiseley (1907-1977) US American anthropologist, ecologist, poet, science writer, The Night Country, S. 215, Scribner,
    New York, 1971, University of Nebraska Press, paperback issue 1. June 1997

 

 

(↓)

Falsely attributed to:

  • The man who follows the crowd will usually get no further than the crowd. The man who walks alone is likely to find himself in places no one has ever been before.
    Creativity in living is not without its attendant difficulties, for peculiarity breeds contempt. And the unfortunate thing about being ahead of your time is that when people finally realize you were right, they’ll say it was obvious all along. You have two choices in your life; you can dissolve into the mainstream, or you can be distinct. To be distinct, you must be different. To be different, you must strive to be what no one else but you can be. Poster by Alan Ashley-Pitt [Francis Phillip Wernig], Aardvarque Enterprises,
    15. July 70, cited in: Catalog of Copyright Entries, S. 3, presented by the United States Copyright Office, January-June 1971

 

  • Creativity is God's gift to us. Using our creativity is our gift back to God. Julia Cameron (*1948) US American teacher, film director, journalist, poet, author, The Artist's Way, Penguin Group, United States, 1992

 

  • When orthodoxy is prevalent, those who challenge this perfect way are seen as heretics, such as advocates of the
    • Triple Bottom Line in business,
    • holistic health care,
    • alternative schooling and
    • restorative justice.
While religion gave rise to the term, we see orthodoxy has found its way into all human endeavors, helping to make
our institutions stodgy and arthritic, resistant and slow to change. Heterodoxy or "other teaching" which opposes
orthodoxy met with plenty of resistance over the centuries in the world of religion. With the modern pandemic of this
black and white way of thinking into all areas of our lives, we are seeing mass polarization, schisms and divides bet-
ween neighbors, brothers and sisters, and friends similar to what was seen in the Inquisition, Crusades and Jihad.
John Renesch, US American businessman-turned futurist, economy philosopher, system thinker, author, Pandemics of Orthodoxy: The Mind’s Search for the Right Way, presented by the [[https://globaldialoguecenter.blogs.com/|Global Dialogue Center, April 2009

 

  • If we have a pessimistic despairing attitude we're then going to interpret this world in a way that draws all the evi-
    dence to confirm our pessimism. Then we are actually complicit in creating the very darkness in the world that we're
    then reacting to pessimistically. The point is we're all complicit, we're observer participants in this universe which
    means we have an incredible responsibility. […]
    We have this enormous creative power. It's one thing for one person to tap into that. That can maybe improve
    their life actually a lot. But it's a whole other order of magnitude when a whole bunch of people connect with that
    individually and connect with each other collectively, then they realize they can activate the collective genius and
    they can actually really change the world in a real way. That's evolution.
    Deleted video interview with Paul Levy (*1956) US American psycho-activating healer, artist, author, Find Yourself, Finding Hope, Being
    You – Interview with Paul Levy
    , presented by the YouTube channel Outside The Box, host Jason Liosatos, YouTube film,
    minute 30:32, minute 31:00, 1:02:45 duration, posted 29. October 2018

 

Reference: en.Wikiquote entry Creativity

Manifesto of a creative life

Notes to myself on beginning a painting

 

1. Attempt what is not certain. Certainty may or may not come later. It may then be a valuable delusion.
2. The pretty, initial position which falls short of completeness is not to be valued – except as a stimulus
     for further moves.
3. Do search. But in order to find other than what is searched for.
4. Use and respond to the initial fresh qualities but consider them absolutely expendable.
5. Dont "discover" a subject – of any kind.
6. Somehow don't be bored – but if you must, use it in action. Use its destructive potential.
7. Mistakes can't be erased but they move you from your present position.
8. Keep thinking about Polyanna.
9. Tolerate chaos.
10. Be careful only in a perverse way.
Source: ► Richard Diebenkorn (1922-1993) US American painter of abstract expressionism, handwriting found after his death, 1993,
copied and cited in: 10 Rules for Creative Projects from Iconic Painter Richard Diebenkorn, presented by the free weekly digest
Brain Pickings, host Maria Popova (*1984) Bulgarian critic, blogger, writer, 23. August 2013

Englische Texte – English section on Creativity

Information Age ⇒ Conceptual Age ⇒ Changing expressions of creativity – Daniel Pink

In his 2005 bestseller A Whole New Mind. Why Right-Brainers Will Rule the Future Daniel Pink concluded that the future will belong to the right brained contempories both in respect to their personal happiness and to trends of the global economy.
Pink states that the keys to creativity and resulting success are in developing and cultivating six senses:
             Design, story, symphony, empathy, play, and meaning.             

 

༺༻Right brain senseLegend
1.Design Paying attention to aesthetics when carrying out any task.
2.Story Conveyance of information to consumers, employees, and others through story-telling techniques.
3.Symphony The ability to put together pieces to create a holistic picture; synthesis is a good synonym.
4.Empathy Identifying with and understanding another person’s circumstances, feelings, and motives.
5.Play Putting fun into every activity to enhance both pleasure and creativity.
6.Meaning Extending the value of an activity beyond the moment and self.
Literature: ► Daniel Pink danpink.com (*1964) US American motivational speaker, chief speech writer of US vice president
Al Gore (1995-1997), visionary author, A Whole New Mind. Moving from the Information Age to the Conceptual Age,
Riverhead/Penguin, March 2005, Riverhead Trade, reprinted updated edition March 2006
Four essential historical ages – Daniel Pink
The book A Whole New Mind describes four essential historical ages and it explains
the holistic new thinking model and their different expressions of creativity.
༺༻Historical ageHuman producersServices and productionLocationOrientation
1.Agricultural Farmers Produce / food Nature Cultivating the land
2.Industrial Factory workers Products / goods Cities Overcrowded areas
3.Information Knowledge workers Facts-Programming-Ideas
Logical, linear, goal/success oriented
Left brain dominance Pride culture
4.Conceptual Creators and empathizers Context / Flow / Inspiration
Paradoxical, nonlinear, inventive, heartfelt
Right brain integration Dignity culture
See also:
Cultural Creatives: Results of long-term value study – Paul Ray
Four stages of spiritual development – M. Scott Peck
Five types of clusterings in companies and society – David Logan
Five levels of leadership – Charisma meter
Levels of Transformation – Five brain frames – From survival → service
Analogous animal and human evolution – Bruce Lipton
Shifting the cultural zeitgeist in Western societies
Step models and ► Pride and ► Dignity and ► Wholeness and ► Context and ► Success
Siehe auch: ► Informationszeitalter ⇒ Konzeptuelles Zeitalter – Daniel Pink

 

"There is a seismic – though as yet undetected – shift now underway in much of the advanced world. We are moving from an economy and a society built on the logical, linear, computer-like capabilities of the Information Age to an economy and a society built on the inventive, empathic, big-picture capabilities of what's rising in its place, the Conceptual Age.
The last few decades have belonged to a certain kind of person with a certain kind of mind – computer programmers who could crank code, lawyers who could craft contracts, MBAs who could crunch numbers. But the keys to the kingdom are changing hands.
The future belongs to a very different kind of person with a very different kind of mind – creators and empathizers, pattern recognizers and meaning-makers. These people – artists, inventors, designers, storytellers, caregivers, consolers, bigpicture thinkers – will now reap society's richest rewards and share its greatest joys."

Daniel Pink danpink.com (*1964) US American motivational speaker, chief speech writer of US vice president Al Gore (1995-1997), visionary author, A Whole New Mind. Moving from the Information Age to the Conceptual Age, Riverhead/Penguin, 2005

 

Research on intuition and decision making

"Amos and I shared the wonder of together owning a goose that could lay golden eggs – a joint mind that was better than our separate minds." Video interview with Daniel Kahneman, Ph.D. (1934-2024) Israeli-American professor of psychology, Princeton Uni-
versity, New Jersey, founder of behavioral economics, Nobel laureate in economic sciences, 2002, Conversations with History, series ID 12295, presented by the satellite television channel University of California Television (UCTV), UC Santa Barbara, host Harry Kreisler, "Institute of International Studies", YouTube film, minute 15:22-18:44, 53:20 minutes duration, 16. May 2008
Daniel Kahneman and his colleague Amos Tversky (†) were awarded the Nobel Memorial Prize in 2002 for their scientific work. In his Nobel biography Kahneman praises his intensive collaboration with Tversky. He calls for a deeper academic cooperation ("adversarial colla-
boration"), not marked by turf battles. In a good-faith effort unlike minds can contribute in conducting a joint research, critiquing each other in
the service of an ideal of truth.

 

And they became recluses, and writers, and artists.
Sculptors, and dancers, and dreamers of dreams.
Hermits, poets, and painters, and prophets.
Stewards of mankind. Believers in love.
And the world grew quiet and opened her eyes.
And humanity finally listened.

Poem by Kalen Dion, US American visual artist, writer

Shifting the cultural zeitgeist in Western societies

History of the United States  ♦  Ages of empowerment, knowledge, transcendence
·Era·Age Time frameHistoric event
1. Age of Empowerment1776-1880 Signing of the Declaration of Independence, publication An Inquiry into the Nature and Causes of the Wealth of Nations by Adam Smith
Democracy (free society) and capitalism (free markets), public education, national banking system, one currency
2. Age of Knowledge1880-1990 Alexander Bell invented the telephone, Thomas Edison invented the phonograph, the light bulb, the central electrical power system. Transition from an agrarian to an industrial society. Life expectancy in the United States: 47 years in 1900, 76 years in 1990. Alfred P. Sloan, US American president of General Motors, invented the modern corporation in 1923. John Watson (1878-1958) US American psychologist, pioneer of behaviorism, founder of the behaviorist school of psychology, established the first consumer research center (via J. Walter Thompson advertising's agency) in 1921. Henry Ford mechanized the first assembly line.
Materialism became the bedrock of business, society, and culture.
3. Age·of·Transcendence
Excelling usual limits
~1990 British software engineer Tim Berners-Lee created the World Wide Web. The Internet provides information power to the masses, democratizes the information flow, and forces corporations to greater transparency.
Transcendence erodes the dominance of scientifically grounded "certainty".
Source:
Rajendra S. Sisodia, Ph.D., Indian US American professor of marketing, Bentley University, co-founder and chairman of the Conscious
     Capitalism Institute
, founding member of the Conscious Capitalism movement, Jagdish N. Sheth, Ph.D. (*1938) Burmese-US American
     Charles H. Kellstadt professor of marketing, Goizueta Business School, Emory University, David B. Wolfe, US American customer behavior
     expert, author, Firms of Endearment. How World-Class Companies Profit from Passion and Purpose, Prologue A Whole New World,
     Pearson Prentice Hall, 1st edition 10. February 2007
See also:
History and ► Paradigm shift, namely ► Current trend – Shifting from PUSH mode to PULL mode
Information Age ⇒ Conceptual Age ⇒ Changing expressions of creativity – Daniel Pink

Balanced characteristics of creative people – Mihaly Csikszentmihalyi

Personal avowal

I have devoted 30 years of research to how creative people live and work, to make more understandable the mysterious process by which they come up with new ideas and new things. If I had to express in one word what makes their personalities different from others, it’s complexity. They show tendencies of thought and action that in most people are segregated. They contain contradictory extremes; instead of being an individual, each of them is a multitude. Mihaly Csikszentmihalyi (1934-2021) Hungarian Hungarian professor of psychology, happiness researcher, develo-
per of the flow concept, author, Creativity. Flow and the Psychology of Discovery and Invention, Harper Perennial, New York, 1996,
9. May 1997, reprint edition 6. August 2013

 

Left-brained creativity ⇔ right-brained creativity
༺༻ Left-brained characteristics
Creative people...
Right-brained characteristics
Creative people...
1....have a great deal of physical energy.... and also often quiet and at rest.
2....tend to be smart....and naive at the same time.
3....combine playfulness and discipline, or responsibility...and irresponsibility.
4....alternate between imagination and fantasy...and a rooted sense of reality.
5....tend to be both extroverted...and introverted.
6....are humble...and proud at the same time.
7....escape rigid gender role stereotyping.1...escape rigid gender role stereotyping.
8....are both rebellious...and conservative.
9....are very passionate about their work....and can be extremely objective about it as well.
10....their openness and sensitivity often exposes
them to suffering and pain
...yet also to a great deal of enjoyment.
Sources:
Book by Mihaly Csikszentmihalyi (1934-2021) Hungarian Hungarian professor of psychology, happiness researcher, author, Creativity.
     Flow and the Psychology of Discovery and Invention
, Harper Perennial, New York, 1996, 9. May 1997, reprint edition 6. August 2013
Based on interviews with 91 eminently creative people
Article 10 Paradoxical Traits Of Creative People, presented by the monthly US American business magazine Fast Company,
     Faisal Hoque, 4. September 2013
See also: ► Correlating the right hemisphere with the left hemisphere and ► Goals ⇔ process

Principles of a creative field – Leonardo da Vinci

Seven basic principles of creativity by Leonardo da Vinci
Leonardo da Vinci (1452-1519) was an Italian bi-brained polymath. He painted and sculpted. He worked as an architect, musician, composer, scientist, mathematician, engineer, mechanic, inventor, anatomist, geologist, cartographer, botanist, nature philosopher,
and writer. da Vinci was born as an illegitimate child. He was a synesthesist, a vegetarian, a homosexual,
an ambidextrous lefthander, a bilingual mirror and hookwriter.
༺༻Principle of creativityActionAttitude
1.Curiosita Have an insatiably curious approach to life.
Be interested in your environment.
Strive for truth.
2.Dimostrazione Commit to test knowledge through experience.
View and evaluate each situation, object, person from three different perspectives.
Accept personal responsibility.
3.Sensazione Continually refine your senses, especially sight, as the means to clarify your experience.
Develop your senses for a more intense and subtler perception.
Practice awareness regarding subtleties.
4.Sfumato Be willing to embrace ambiguity, paradox, and uncertainty.
Embrace the unknown, tend to the subtle energies.
Account for the shadow.
5.Arte/Scienza Develop a balance between science and art, logic and imagination.
Think creatively and imaginatively in 1000 pictures.
Practice Mindmapping.
Practice "whole-brain thinking".
6.Corporalita Cultivate ambidexterity, fitness, and poise.
Integrate your body, emotions, mind, and spirit.

Model: Petruvian Human
Keep the balance between content and context, direct and indirect, theory and practice, feminine and masculine, Yin and Yang.
7.Connessione Recognize and appreciate the connectedness of all things and phenomena.
Practice "systems thinking" by acknowledging that everything is interconnected with everything else.
Practice loving.
Source: ► Michael J. Gelb michaelgelb.com (*1952) US American genius researcher, pioneer in creative thinking, accelerated learning, and innovative leadership, author, How to Think Like Leonardo da Vinci. Seven Steps to Genius Every Day, Dell, 8. February 2000
Reference: ► Article / review The Secret Lives of Leonardo da Vinci. Walter Isaacson's biography portrays a man obsessed with knowledge., presented by the US American magazine The New Yorker, Claudia Roth Pierpont, 16. October 2017
See also: ► Manifesto of a creative life and ► Tao
Siehe auch: ► Prinzipien der Schöpferischen – Leonardo da Vinci

Law of diffusion of innovations

The law of Diffusion of innovations is a theory on how, why, and at what rate new ideas and technology spread through cultures. It was popularized by Everett M. Rogers, Ph.D. (1931-2004) US American professor of communication studies, sociologist, author, Diffusion of Innovations, Free Press, Glencoe, 1962, 5th edition 2003

 

  • 2.5% Innovators
  • 13.5% Early adopters
  • 34% Early majority
  • 34% Late majority
  • 16% Laggards

 

The tipping point or the "crossing the chasm" is reached when 13-18% of the population have purchased/adopted the new idea or product.

 

Five stages of the adoption process stage
༺༻StageDefinition
1.Knowledge An individual is first exposed to an innovation but lacks information about the innovation and is not inspired to find more information about the innovation.
2.Persuasion An individual is interested in the innovation and actively seeks information/detail about the innovation.
3.Decision
Individualistic
An individual takes the concept of the change and weighs the advantages/disadvantages of using the innovation and decides whether to adopt or reject the innovation. Rogers noted this phase as the most difficult stage to acquire empirical evidence 1964, S. 83).
4.Implementation An individual employs the innovation to a varying degree depending on the situation – to determines the usefulness of the innovation and may search for further information about it.
5.Confirmation
Intrapersonal
interpersonal
An individual finalizes his/her decision to continue using the innovation.
This stage is both intrapersonal (may cause Cognitive dissonance) and interpersonal (confirmation the group has made the right decision).

Characteristics of gifted people

Six qualities of highly gifted contemporaries – with an IQ of 145 and above
༺༻FeatureDescription
1.Unusual sense of humor
Prone to dry irony
They make a joke and nobody laughs, not because it isn't funny, but because nobody else gets it.
2.Picking up skills quickly Joe is a good chess player thanks to practicing for years on end, his conscientious and higher-than-average in terms of intelligence, or his talent for chess. John is a good chess player after having only played chess for six months. His sudden obsession with an intellectual pursuit is a sign of high intelligence.
3.Obsession with ideas Highly gifted people are consumed by ideas. Subordinated to ideas, they can’t stop thinking and talking about ideas.
4.Ability to see multiple·manifestations of one idea A human who can identify multiple instances of the same phenomenon that appear different is likely to be highly intelligent. Highly intelligent people recognize that a phenomenon is linear rather than exponential without much study. They intuitively know that population growth is exponential for most organisms. Not familiar with how the system works, they tend to ask about the boundary conditions that limit such growth.
5.High verbal/analogical capabilities
Ability to synthesize disparate bodies of knowledge
Highly gifted people can think on more than one level of abstraction simultaneously, who can analyze things at the micro and macro scales with a keen awareness of interactions between phenomena apprehended in different scopes. That way they can analyze a very complex problem and put together a workable solution by combining data and principles from more than one field of knowledge.
6.Ability to think in
organic systemic terms
Average people analyze things in a linear manner ["A therefore B"] seeing the world in terms of linear processes and goals. High-average to gifted people analyze things in a systemic manner, by looking at the world as a big interconnected system or machine, like a Rube-Goldberg apparatus with lots of interconnected parts. They can see degrees of connectedness, with different parts of complex systems interacting like nodes in a network where each connection can have variable strengths, and where new connections can come into being while old ones fall away and weaken or strengthen. They leap from the 3-dimensional mechanistic thinking to the 4-dimensional organic, systemic thinking (which implies recursion and uncertainty). They see how processes unfold over a time-span and can predict a set of most-likely outcomes by analyzing the whole thing dynamically, not stopping the process to understand it step-by-step but moving their mind with that process like a dancer.
Inspiring source: ► Contribution What are the signs of a highly gifted person?,
presented by the Californian question-and-answer website Quora, Caleb Beers, 24. August 2017
See also: ► Sensitivity and ► Intuition and ► Paradox and ► Humor
Information Age ⇒ Conceptual Age ⇒ Changing expressions of creativity – Daniel Pink  See item 4.
Four-stage composition of ancient Egyptian temples – Model of mystery schools

 

Common but not universal characteristics of a gifted human
༺༻Feature༺༻Feature
1. Perfectionistic and sets high standards for self and others.24. Is very compassionate.
2. Has strong moral convictions.25. Has passionate, intense feelings.
3. Sets high standards for self.26. Is very perceptive.
4. Feels outrage at moral breaches that the rest of the world seems to take for granted.27. Has a great deal of energy.
5. Is highly sensitive, perceptive or insightful.28. Can't switch off thinking.
6. Fascinated by words or an avid reader.29. Shows initiative, originality, or flexibility in thinking.
7. Feels out-of-sync with others.30. Considers problems from a number of viewpoints.
8. Feels a sense of alienation and loneliness.31. Produces superior written work or has a large vocabulary.
9. Shows persistent intellectual curiosity.32. Shows creative ability or imaginative expression in the arts.
10. Has a wide range of interests; develops one or more interests to considerable depth.33. Needs periods of contemplation.
11. Has an alert, unusual and subtle sense of humor.34. Searches for ... in their life.
12. Shows superior abilities to reason, generalize or problem solve.35. As a child shows social poise.
13. Has a vivid and rich imagination.36. As a child shows ability to communicate with adults in a mature way.
14. Questions rules and/or authority.37. Gets bored with routine tasks.
15. Has unusual ideas and/or connects seemingly unrelated ideas.38. Resists changing away from interesting topics or activities.
16. Observes keenly and is responsive to new ideas.39. Is overly critical of self and others, impatient with failure, perfectionistic.
17. Loves ardent discussion.40. Disagrees vocally with others, argue with teachers.
18. Enjoys intellectual challenge.41. Makes jokes or puns at times adults consider inappropriate.
19. Learns new things rapidly and retains what is learned.42. Is so emotionally sensitive and empathetic that adults
consider it over-reaction, may get angry, or cry when things go wrong or seem unfair.
20. Grasps mathematical or scientific concepts readily.43. Ignores details, turn in messy work.
21. Has a good long-term memory.44. Rejects authority, be non-conforming, stubborn.
22. Feels overwhelmed by many interests and abilities.45. Dominates or withdraw in cooperative learning situations.
23. Sustains concentration for lengthy periods on topics or activities of interest.46. Is highly sensitive to environmental stimuli such as lights or noises.
Source: ► Article Gifted People and their Problems, presented by Francis Heylighen, Ph.D., undated

 

Most prevalent characteristics of gifted people
༺༻Characteristics
99.4%learn rapidly.90.3%are concerned with justice and fairness.
99.4%have extensive vocabulary.90%were described by their parents as "sensitive."
99.3%have excellent memory.89.4%have facility with puzzles and legos.
99.3%reason well.88.4%have a high energy level.
97.9%are curious.88.3%are perfectionistic.
96.1%are mature for their age at times.85.9%are perseverant in their areas of interest.
95.9%have an excellent sense of humor.84.1%question authority.
93.8%have a keen sense of observation.83%like to concentrate on one activity at a time.
93.5%have compassion for others.80.3%are avid readers.
93.4%have a vivid imagination.79%report high energy or activity levels.
93.4%have a long attention span.44%are sensitive to clothing tags and other tactile sensations.
92.9%have ability with numbers.  
Source: ► Article Gifted People and their Problems, presented by Francis Heylighen, Ph.D., undated

Buckminster Fuller's expericence of grace

In 1927 at age 32 Buckminster Fuller (1895-1983)

⚑ was bancrupt,
⚑ was unemployed, and
⚑ had a bad reputation, and
⚑ living in low-income housing in Chicago.
⚑ His daughter Alexandra died from polio meningitis.
⚑ He had no viable means to support his wife and his other new born child.
Pudel

His failures and misfortunes pushed him over the edge and he started drin-
king heavily. Grieving and miserable he went to the banks of Lake Michi-
gan
– with the intention to commit suicide by drowning himself in the lake.
Yet he had issued an ultimatum to God asking for a sign to turn him around. Along the bank path he met a white poodle followed by the lady who owned him. To his amazement, he saw both their auras. Impressed by this sign of deeper sight he decided to live the remainder of his life as an experiment, to figure out what a single human being can contribute to change the world for the benefit of mankind.

 

[...] "an experiment to discover what the little, penniless, un-
known individual might be able to do effectively on behalf of all humanity."

Buckminster Fuller, cited in: R. Buckminster Fuller, presented by the website Social Synergetics, undated

 

"You must choose between making money and making sense. The two are mutually exclusive." Buckminster
Fuller, 1983, cited in: Yasmin Shariff, Jane Tankard, Towards a New Architect, S. 43, Step 7, Elsevier, Architectural Press, 2010

 

Source: ► Buckminster Fuller (1895-1983) US American engineer, systems theorist, architect, constructor, designer, inventor, futurist,
philosopher, author, Operating Manual for Spaceship Earth, 1969, originally stated in an address on 16. October 1967,
Lars Müller, 5th paperback issue 15. Juli 2008
Reference: ► Article R. Buckminster Fuller, Architect and Philosopher, reissued by the publication
ThoughtCo., originally presented from USPS News Release, 2004
See also: ► Grace
Siehe auch: ► Buckminster Fullers Gnadenerlebnis

 

Links zum Thema Kreativität / Creativity

Literatur

Literature (engl.)

Externe Weblinks


External web links (engl.)


Creative people have more white matter and better-connected brains, study finds.

Audio- und Videolinks

Herkömmliche Resoucennutzungstrategien stehen dem natürlichen Lernen, der Potentialentfaltung, im Weg und vergrößern die sozialen Probleme. BeGeisterung, GeSinnung und Ge(lassen)Haltung bilden Zukunft, indem sie in Kindern, Jugendlichen, Mitarbeitern SINNPotential entfalten.

  • Videopräsentation von Prof. Dr. Gunter Dueck (*1951) deutscher Professor für Mathematik, Dozent, weltanschaulich-philo-
    sophischer Sachbuchautor, Die Feinde der Innovation, veranstaltet von Empolis Information Management, 10. Empolis Executive Forum 2013, Berlin, 10.-11. April 2013, YouTube Film, 1:44:39 Dauer, eingestellt 29. April 2013
  • Videopräsentation von Prof. Dr. Gunter Dueck (*1951) deutscher Professor für Mathematik, Dozent, weltanschaulich-philosophischer Sachbuchautor, Das Neue und seine Feinde, veranstaltet von höltl Retail Solutions, "Tag der Innovationen",
    Bad Hersfeld, 6. Juni 2013, YouTube Film, 1:21:06 Dauer, eingestellt 19. Juni 2013

Audio- and Videolinks – Peter Kruse

  • Videointerview mit Prof. Dr. Peter Kruse (1955-2015) deutscher Honorarprofessor für Allgemeine und Organisationspsy-
    chologie, Universität Bremen, Psychologe, Netzwerkforscher zur Komplexitätsverarbeitung in intelligenten Netzwerken und kohärenter Musterbildung, Geschäftsführer von Nextpractice, Unternehmensberater, Über Kreativitiät, YouTube Film,
    7:34 Minuten Dauer, eingestellt 1. Mai 2007

Alternative Quelle: Professor Peter Kruse über Kreativität, 22. März 2014

  • Videointerview mit Prof. Dr. Peter Kruse (1955-2015) deutscher Honorarprofessor für Allgemeine und Organisationspsy-
    chologie, Universität Bremen, Psychologe, Netzwerkforscher zur Komplexitätsverarbeitung in intelligenten Netzwerken und kohärenter Musterbildung, Geschäftsführer von Nextpractice, Unternehmensberater, Über verschiedene Lernformen,
    YouTube Film, 3:48 Minuten Dauer, eingestellt 25. November 2007

Differenzieren zwischen: Optimierendem Lernen – Fehler vermeiden; Durchbruch in einen neuen Lernraum – Fehler feiern

  • Videointerview mit Prof. Dr. Peter Kruse (1955-2015) deutscher Honorarprofessor für Allgemeine und Organisationspsy-
    chologie, Universität Bremen, Psychologe, Netzwerkforscher zur Komplexitätsverarbeitung in intelligenten Netzwerken und kohärenter Musterbildung, Geschäftsführer von Nextpractice, Unternehmensberater, Kruse ueber Kruse, YouTube Film,
    4:01 Minuten Dauer, eingestellt 30. September 2009

Audio and video links (engl.)

On the effects of Transcendental meditation

Source of creativity: sheer, utter panic at the intersection of art, myth and activism

On the Marshmallow challenge

  • Video presentation by Sir Ken Robinson (1950-2020) British professor of arts education, University of Warwick (1989-2001), international advisor on education, director of '"The Arts in Schools Project" (1985-1989), speaker, author, Bring on the learning revolution!, presented by TED Talks, 17:57 minutes duration, recorded February 2010, posted May 2010
  • Video RSA Animate presentation by Sir Ken Robinson (1950-2020) British professor of arts education, University of Warwick (1989-2001), international advisor on education, director of "The Arts in Schools Project" (1985-1989), speaker, author, Changing education paradigms, presented by TED Talks, 11:40 minutes duration, recorded October 2010, posted December 2010

Divergent thinking study (seeing multiple answers to interperting a question); link between three troubling trends:
1. rising drop-out rates, 2. schools' dwindling stake in the arts, 3. ADHD

Audio and video links (engl.) – Michael J. Gelb


Linkless media offering

  • Audio interview with Michael J. Gelb michaelgelb.com (*1952) US American genius researcher, pioneer in creative thinking, accelerated learning, and innovative leadership, author, Think Big Revolution, Bookyourselfsolid.com, aired 29. October 2007

 

Interne Links

Englisch Wiki

Hawkins

 

 

1 When tests of masculinity and femininity are given to young people, over and over one finds that creative and talented girls are more dominant and tough than other girls, and creative boys are more sensitive and less aggressive than their male peers.

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